PitchfordHowze757
出典: くみこみックス
guide to Art Basel art basel miami - Art Basel Miami Beach be described as a private spectacle or even a public one? I wondered that while i headed off and away to the art world’s ritualistic week of gawking, power schmoozing and peacocking, which can be now a decade strong. Certainly top collectors dominate the calendar, stir up the selling floor and preside over what are sometimes ludicrous displays of privilege. However, many also open their houses, or otherwise their warehouses, for the masses. And although you could need a V.I.P. card to party alongside A-Rod or celebrate the most recent Ferrari model, as some revelers did this coming year, those who want to make art viewing the main activity have sufficient more accessible options. Not minimal of which is the fair itself, which includes swelled to include some 260 international exhibitors and a full program of outdoor sculpture, video and gratifaction. And whether you would like to be occupied by Art Basel or Occupy it, you can’t deny the event’s role in revitalizing Miami culture over the past A decade. (The Miami Art Museum and MoCA North Miami have new buildings in the works, and the Wynwood district is chockablock with galleries, studios and street art.)
art basel miami - All that said, a backlash seemed possible this season. There were rumors of an Occupy Wall Street-style protest, and a high-profile collector declared an intention to boycott the fair (Adam Lindemann, in his column within the Ny Observer). Mr. Lindemann appeared anyway. And the only activism I saw was folded, shrewdly, in to the fair’s “Art Public” section: a gathering space for Miami community groups, due to the performers Andrea Bowers and Olga Koumoundouros, where you could grab a leaflet or buy a T-shirt nevertheless “99%.” No one seemed particularly worried about protests or the euro zone on the fair’s V.I.P. preview in the Miami Beach Convention Center. The job, though, appeared more conservative in comparison to years past. The blue-chip selections were plentiful, among them a classy display of Calder and Miró sculptures (at Helly Nahmad) along with a stuffy-looking but rewarding exhibition of Modiglianis, Soutines along with other School of Paris artists (at Galerie Thomas). Those searching for really a celebration atmosphere could find it at Mary Boone, where Barbara Kruger’s huge wall texts shouted “Money makes money” along with other turns of phrase on trading of filthy lucre. Just over the aisle, L&M had a likewise snazzy booth wallpapered with Warhol’s cows and festooned with a broad selection of his drawings. A great many other exhibitors used size to create a statement. Edward Tyler Nahem gave the majority of its booth to some 30-foot-long Frank Stella, “Khurasan Gate Variation III,” from 1968. Everywhere, dealers were taking out their tape measures.
newartnetwork.net/art-basel - The content, over-all, was “We’re here to work,” not “What does this all mean?” Just a few dealers, like Peter Blum, took shots on the fair environment. At his booth two paintings from a series called “Bankrupt Banks,” by the Danish artists’ group Superflex, caused many double-takes with their prominent corporate logos. New to the gathering circuit was “Home Alone,” an exhibit sampling the Adam and Lenore Sender Collection. This show within the Senders’ bayside home was available only by invitation, which was understandable, because of the intimate spaces. The curator Sarah Aibel made mischievous use of the home’s nooks and crannies, installing a Sarah Lucas rooster inside the master shower and two Elizabeth Peytons inside a child’s closet. It absolutely was a very private experience. But during the period of a few days - even throughout per day - I had many public ones which were just as memorable. In that spirit was the renegade mini-fair SEVEN, where entry costs nothing, and galleries share space on the “salon wall.” There, a vending machine through the artist Jennifer Dalton dispensed wristbands of the sort utilized to go through velvet ropes. They read, “What this says matters not.” Art Basel Miami Beach runs through Sunday on the Miami Beach Convention Center; artbaselmiamibeach.com.